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2021-

2021-05-18 g
THEATER OF THE ABSURD (Help Liberal Actors Practice How to: Gag, Retch and Swoon)

Folk, by The White People's Press

Folk is a coffee table book that offers a comprehensive and in-depth look into the topic of what it means to be a people. We share a unique identity and an exceptional history, but we are forbidden from expressing pride in such things. As Western nations become increasingly affected by mass immigration, however, more of us are forced to recognize that we have little to gain by adopting a negative identity, and that there is actually nothing wrong with maintaining the opposite.

The book features all-original pieces by important individuals, such as Ricardo Duchesne, who provides the Foreword, Jason Köhne, Jeff Winston, Ash Donaldson, Ilenia, Jared George, Lovely Porridge, Laura Towler, Chars, Liv Heide, and John Bruce Leonard. Each has a wealth to offer on this important subject, and provides a unique perspective from their respective nations—including Canada, the United States, Italy, Australia, Belgium, the UK, and Germany—along with answers to the question about what it is that ultimately unites us.

Accompanying the written pieces are over two hundred images that showcase our people’s triumphs and mastery of the arts over the millennia, meant to inspire in the reader a greater appreciation for their people and their past, and strengthen their conviction about preserving those things.

An essential compilation, Folk offers clarity to the difficult questions surrounding who we are, where we come from, and what we must become. (read more)

See also: The White People's Quarterly: Vol. 1, No. 1

Issue No. 1 of The White People’s Quarterly—our premiere issue—features original cover art by the gifted hand of Aileen, and visually defines in its purest form what we represent. Featured written pieces include a powerful selection from Jason Köhne’s book Born Guilty, original poetry by Jared George, a guide to becoming a community organizer by Harold L. Byron, a thrilling travel story by Jim Modoc, an exposition of art in the post-modern age by Donald Kent, and a humorous short story by Paul Marlais. However, the issue centers on the family and in particular “The Re-Feminized Woman,” so the focus-pieces are provided by Ashley MacAlistair, whose article “Reclaiming Femininity” offers tips and guidelines for young women seeking to live healthy and traditional lives, and Mina Therese, whose powerful personal journey emphasizes the trials and tribulations one goes through as they trade backward modernity for a more natural lifestyle, and how this transformation is leading to a “Renaissance of the Traditional.”

Also included in the first issue is a Q&A with the Mamas and the Pepes, photography by the Light of Decay, a review of Überfolk’s album Music for Nations by the New Paradigm Review, along with poetry, art, recipes, and a republishing of T.S. Eliot’s famous essay “Tradition and the Individual Talent,” with an introduction by the Editor. Issue No. 1 remains the most important to us, due to the uncertainties going in and the challenges we faced along the way, but with the help of Creative Director Jeff Winston of the White Art Collective we got the job done, and by some metrics it was the most successful quarterly magazine of the 2019 Summer season. Aileen’s beautiful cover conveys the essence of what we stand for as a family-friendly publisher, and we are grateful for those who took a chance and contributed to it, nearly all of whom have contributed to subsequent issues. Among them are our faithful, White-Positive sponsors, such as the White Art Collective, WhiteDate.Net, KosChertified, and the Mighty White Soap Co., whose elegant ads can as well be found among the content.

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